Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 209 results
Sort By:
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
The Battle of Aeneas and Turnus, plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Reduced copy in reverse of Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Copy in reverse of Venus requesting armor from Vulcan for her son, Aeneas; plates 10, 11, and 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
The Virgin Immaculate
Pietro da Cortona (Pietro Berrettini)
1596–1669
Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
Mercury seen from behind flying in the air towards the left, holding the caduceus in his left hand; trees and architectural elements in the background; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1680–91
St. Michael Expurging Heresy
Pietro da Cortona (Pietro Berrettini)
1596–1669
Reduced copy in reverse of the assembly of the Gods at Olympus; Jupiter at center with Venus to the right, introducing Aeneas at far right; plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
ca. 1759–70
Mercury seen from behind, floating through the air holding a caduceus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Pierre Simon
ca. 1677
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Pietro da Cortona (Pietro Berrettini)
1788
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 3 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Abraham expelling Hagar from their home, an angel appears behind her; Sarah reclines on the right in front of the dwelling with a curtain drawn
Pietro da Cortona (Pietro Berrettini)
1776
Flora standing at center, gesturing toward a bust of Janus at right, title page from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Mount Athos being cut to resemble a giant with a waterfall forming from his hands; Pope Alexander VIII at the lower right being shielded by an umbrella, reviewing the building plans from his two architects; five putti above hold a banderole
Pietro da Cortona (Pietro Berrettini)
ca. 1657–81
Hercules leading the young prince to Olympus while Fame writes his deeds at center and men prepare his arms to the left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Allegory with the symbols of Temperance; including a unicorn at bottom right and Publius Scipio Africanus above, plate 9 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Title page from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
King Antiochus fleeing from Amor; Antiochus leaning over a pedestal at left, looking toward the priestess of Diana kneeling at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
St. Martina kneeling amongst several figures and toppled sculptures of pagan idols, with her arms raised clutching her chest, looking towards a cloudy sky; on the right is a burning pyre
Pietro da Cortona (Pietro Berrettini)
ca. 1758–92
Mary Magdalene reaching out to Christ in a garden after his resurrection
Pietro da Cortona (Pietro Berrettini)
ca. 1700–40
Saint Martina sitting before the Virgin and Child
François Spierre
before 1679
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
Rachel hiding the idols of Laban; with Rachel seated at left, Laban kneeling on the ground, and Jacob lifting the lid of a box
Pellegrino dal Colle
ca. 1757–1812
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
The Judgment of Hercules: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Pallas Athena abducting a youth, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677
Antiochus in bed at right while his doctor Erasistratur checks his pulse, Stratonice and Seleucus look on from the left, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677